Saturday, June 30, 2012
Tuesday, March 30, 2010
Beach Art
http://incredibleworld.net/2009/12/daniel-burens-beach-art-the-illusion-of-a-forest-on-the-beach/
Daniel Buren’s Beach Art: The Illusion of a Forest On The Beach
Labels: Beach Art, Daniel Buren
Monday, March 22, 2010
Beach "Street Art"
Andrew van der Merwe is a professional calligrapher and letter artist based in Cape Town, South Africa. In last six years of his work he was working on a developing his original technique of the beach calligraphy.
He considers himself as the world’s first professional beach calligrapher. His artworks are made by carving letters in the beach sand.
Here you can see some of his masterpieces that he recently produced. Sadly, his artworks doesn’t last for a long time so he also has to be a good photographer because that is the only way to show his art to a wider audience: by taking great photos of his artworks
Labels: Andrew van der Merwe
Monday, March 15, 2010
Monday, March 8, 2010
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Sunday, March 7, 2010
Advertising as Street Art?
Just after Christmas, the company created "trash piles" on Amsterdam streets of used ribbons, crumpled wrapping paper, and large cardboard boxes that appeared to be Mini Cooper packaging. As you can see in the video below, the boxes were definitely attention-grabbers....and street blocking garbage.
Labels: Mini Amsterdam trash piles
Tuesday, February 23, 2010
Graffiti Your Feet: Painted Sneakers Become Collectible Art
Sneaker art has been around for a while but I haven't found anything as personalized as this that is being offered to the public. Bravo!
http://subwayfreshbuzz.mtviggy.com/video/457992
Labels: sneaker painting
Wednesday, February 10, 2010
Street Art of Love
Check it out:
Street Art of Love is a collection of NYC street art photographs with a love theme. Photographer Charlene Weisler captures these fleeting and evolving images as part of her Urban Montage portfolio.
Labels: Lulu, Street Art of Love
Street Art and Tequila Cocktails in Brickell, Florida
You like fine art. You like graffiti. You like nice restaurants. Gee, if only someone put them all together... Say hello to Baru Urbano, your new supper club with a splash of street art, opening tomorrow night in Mary Brickell Village.
Labels: Baru Urbano, street art restaurant
Saturday, February 6, 2010
A Musing on Sweethearts for Valentines Day
And they have also changed the sayings, now to include such romantic ditties as "tweet me" and "text me".
Oh how romantic!
Labels: sweethearts candy
Monday, January 25, 2010
Banksy Film at Sundance Film Festival
The movie doesn’t appear anywhere in the Sundance Film Festival’s catalogue. Outside a small circle of ultra-secretive confidantes, nobody knows its director’s identity and whereabouts. And the film’s place in the Sundance schedule wasn’t even announced until last week. That hasn’t stopped acclaimed British street artist Banksy's “Exit Through the Gift Shop” from becoming Park City’s hottest ticket.
Outside Park City’s 446-seat Library Center Theater, Banksy fans started queuing up hours before “Gift Shop’s” 8:30 p.m. screening in 15-degree weather, even if their chances of getting in were slim. The screening, which was also a sales event for the film’s representatives, Cinetic Media, felt more like a feverish night club, with Jared Leto, Adrian Grenier and uber hipster Danny Masterson (of “That '70s Show”) in the packed house.
A film-within-a-film that begins as a chronicle of guerrilla art and its most prominent creators but morphs into a sly satire of celebrity, consumerism, the art world and filmmaking itself, “Exit Through the Gift Shop” is a nearly impossible work to categorize. That doesn’t begin to describe the contradictions that surround the new movie that’s both about -- and made by -- the controversial and hugely popular artist.
“Trying to make a movie which truly conveys the raw thrill and expressive power of art is very difficult. So I haven’t bothered,” Banksy said in a statement to The Times e-mailed from his publicist, Jo Brooks. “Instead this is a simple everyday tale of life, longing and mindless vandalism.”
An internationally renowned art world icon whose political, occasionally angry and mordantly funny pieces sell for hundreds of thousands of dollars to such big ticket collectors as Brad Pitt and Christina Aguilera, Banksy clings to his anonymity -- despite strenuous efforts of fans and detractors, no one has been able to unmask him. But he has legions of followers: A British show last year, titled "Banksy Versus the Bristol Museum," attracted more than 300,000 visitors.
The graffiti artist -- who left at least 10 works of art on the sides of buildings and utility boxes in Park City and Salt Lake City last week under cover of darkness -- has become infamous for his anti-establishment bent, running afoul of both the ivory tower ideals of art academics and local law enforcement for his all-public-spaces-are-my-canvas style: stencils of kissing policemen, or the Queen of England as a chimp.
“Exit Through the Gift Shop,” narrated by “Notting Hill” actor Rhys Ifans, opens with Banksy himself -- or at least a silhouette of him. Photographed in the dark, wearing a hoodie with his voice digitally disguised, the artist says “Gift Shop” is less about him than a guy who tried to make a movie about street art: Thierry Guetta, a French immigrant in Los Angeles who, since his mother’s death, videotapes everything in his life.
One of Guetta’s cousins is Invader, a French guerrilla artist who designs and furtively places mosaics inspired by the video game Space Invaders. Before long, Guetta is recording Invader’s installations, and is sucked into the riotous underground art world -- “It was not just illegal. It was dangerous,” Guetta says -- as it explodes in the early 2000s with the works of Shepard Fairey, Ron English and Borf, among many others.
As Banksy points out in the film, the work by its very nature is temporal -- as soon as it’s painted, glued or painted on a building or a billboard or a bus, the creations are removed by the authorities -- so it must be immediately documented to be shared and enjoyed by others. Guetta is in the right place at the right time to do just that. But as Fairey notes, Guetta is not only a filmmaker (an assertion called into question later in the movie), but also an accomplice.
Yet there’s one artist apparently beyond Guetta’s reach -- Banksy. In early 2006, though, Banksy travels to Los Angeles, needing an assistant. Guetta not only is familiar with Banksy’s milieu, but knows where the best walls are to deface and has a massive ladder -- “the perfect host,” as Banksy puts it.
Even though the artist protects his identity as if he’s in the U.S. Federal Witness Protection Program, Guetta keeps his camera going as Banksy (seen from behind or in shadow) creates his distinctive art in Los Angeles and England. Their friendship is cemented when Banksy (with Guetta videotaping) installs an inflatable replica of a Guantanamo torture victim next to a Disneyland roller coaster, as screaming families fly past.
“He was my guy after that,” Banksy says. But was Guetta actually making a movie, or just amassing a trove of tapes?
As his work generates more hype and money, Banksy believes a movie can correct the course of the cultural conversation -- back toward art itself, rather than its commoditization. Pushed to deliver a film, Guetta ultimately hands in a 90-minute movie called “Life Remote Control,” a documentary so cinematically schizophrenic it looks like it’s been forced through a food mill.
Banksy isn’t thrilled, concluding that perhaps Guetta isn’t really a filmmaker but “maybe just someone with mental problems who happened to have a camera.” Banksy decides to recut the hours and hours of video, while Guetta travels back to Los Angeles and, in an amazing reinvention, transforms himself into an artist named Mr. Brainwash.
“Mr. Brainwash is a force of nature. He’s a phenomenon. And I don’t mean that in a good way,” Banksy says of his former assistant as he prepares for his first show in Los Angeles.
“Gift Shop” becomes less of a movie about Banksy, his work and his complicated relationship with Guetta and more a study of how we see and appraise art -- either through some subjective aesthetic test or economic valuation. Do artists need to earn their fame, or is fame simply imposed upon them through some random algorithm? Is Mr. Brainwash’s work (he did the cover of Madonna’s new CD) derivative and contrived, and who’s to say if it is?
“Maybe it means art is a bit of a joke,” Banksy says near the film’s conclusion. Mr. Brainwash didn’t play by the rules, he observes, but there aren’t supposed to be rules, right?
Ultimately, the film offers a guerilla artist’s (if not documentary filmmaker’s) version of the Heisenberg Uncertainty Principle -- by observing an action, you affect its outcome. And that, in a way, seems in keeping with the aesthetics of street art: It’s all about discovery and seeing.
Labels: Banksy
Wednesday, January 20, 2010
Good Use For Old Graffiti Stickers?
Thursday, January 14, 2010
Cool Blog - Artsindrom.blogspot.com
I looove the post on cappucino cream designs. Amazing!
Labels: Mr Rudy, street art
Sunday, January 10, 2010
A Street Art Blog - ArtsInDrom
Labels: street art blog
Tuesday, December 29, 2009
Web Urbanist Site
Three dimensional drawing nothing new – the concept itself dates back to the Greeks in the 5th Century BC – but employing perspectival techniques on such a huge scale and with such a broad scope is a much more recent innovation. Some 3D street art takes up dozens of feet of sidewalk to create illusions of depth and three-dimensionality while other mural works cover the entire sides of twelve-story buildings.
Use the link above to see some more of this astounding work.
Labels: 3-D, street art
Wednesday, December 23, 2009
42 Works of Geek, Temporary & Reverse Graffiti
"As graffiti and technology evolve alongside one another more and more innovative street artists are mixing media to create radical hybrids of graffiti art, design and technology. Some employ high-tech equipment to project giant graffiti murals while others use it to enhance their street art stealth and portability. Some use tech less directly – as a source humorously geeky inspiration and subject matter."
Labels: street art, Web urbanist, website
Sunday, December 20, 2009
Beer and Graffiti?
Colt 45 is the most recent culprit. The ads for Colt 45 malt liquor show comic book-style characters clutching bottles and cans of booze. "Works every time," reads the slogan. I am very ambivalent about these ads, generally hating all advertising whether street art-like or not. As a photographer of street art however, I am outraged. I think it denigrades the art form. Okay, maybe that's just me.
Labels: Colt 45, graffiti ads
Saturday, December 12, 2009
Saturday, December 5, 2009
Tattoos That Fail
In case of making a tatoo one Russian proverb comes in very handy. The proverb we are talking about is ” you must measure seven times before you start cutting”. In English there are similiar phrases like, ” score twice before you cut once”. (Although in Russian, they warn to think seven times before acting.) Thinking, scoring and planning are especially important in regard to a tattoo. For those who find it easier not to think seven times, their tatoos cause lot of laughs when are seen by someone for the first time.
Check out http://www.englishrussia.com/ for more examples of bad tattoos.
Labels: bad tattoos
Sunday, November 22, 2009
Listen to the Museum of Modern Art
www.moma.org/wifi
Labels: museum of modern art
Sunday, November 15, 2009
Graffiti Artists in a new line of Work
This happened last year. I hope they do it again.
Labels: Graffiti, Lord Taylors
Sunday, November 8, 2009
The Berlin Wall
Labels: Graffiti, political street art, The Berlin Wall
Thursday, November 5, 2009
Bomb It - Street Art History in Los Angeles
Thursday, October 29, 2009
25 Coolest Banksy Graffiti
Labels: Banksy
Thursday, October 22, 2009
Incredible Time Lapsed Graffiti
http://www.environmentalgraffiti.com/
This video from the art group COMBO has awesome roving camerawork that documents huge great graffiti pieces being painted on the walls, floor and roofs of a derelict courtyard over ten days. And stop-motion animation techniques bring it all to life. Add weird layers of sound design and a looping pattern to melt your mind even more, and this stuff feels like the graffiti-meets-film making...
Saturday, October 17, 2009
Graffiti Supplies
Does anyone have more information?
Labels: graffiti supplies
Sunday, October 11, 2009
Is Nothing Sacred?
I just read that Los Angeles is destroying what is believed to be the largest piece of graffiti in the nation.
A contractor for the US Army Corps of Engineers began painting over the gigantic "MTA" on the concrete bank of the Los Angeles River. "MTA" stands for Metro Transit Assassians" and is 57 feet high and one-third of a mile long.
Is nothing sacred??
Labels: LA, largest graffiti in nation, MTA
Sunday, October 4, 2009
Roomba Art
Roomba art. As far as we can tell, the trend started on a blog called Signal Theorist, who got the idea to set up a camera, turn off all the lights, and take a long-exposure photo of the Roomba's path as it "did its thing." The result looked like an awesomely psychedelic electrical spider web.
Labels: Roomba Art
Sunday, September 27, 2009
Visualizing Data
Isn't this gorgeous??
Labels: data visualization, Futurist Magazine
Sunday, September 20, 2009
Photography Without Borders
Check out strictly no photography which is a photo-sharing site for photographs taken where you are not allowed to take them. From the inside of the Kremlin to Kensington palace, from art galleries to war zones. Here you can see everything you've ever wanted to see that you're not supposed to. There are pictures that range from the ordinary to the profound. Whatever the content or the quality though we think that each one stands as a little piece of art in itself, as a little expression of personal liberty.
I remember once taking a photograph (complete with the flash) of a friend in the Houses of Parliment in London. There is a sign in the photo itself that says "No Photos" but what was even better, I captured the face of the guard peering at me from behind the wall as I took the photo. He threatened to expose the film but I was able to cry my way out of that.
One example from Stictly No Photography is a photo of the hanging monks of Oria. An order of monks that took care of the dead in the area. When they died, their bodies were boiled in oil (cloths and all) then hung in a nitch, in the basement of the local church next to the castle, in Oria Italy.
Labels: strictly no photography
Saturday, September 12, 2009
Philadelphia's Murals
The Mural Arts Program works with more than 100 communities each year to create murals that reflect the culture of Philadelphia's neighborhoods. Mural projects often include stabilization of abandoned lots and revitalization of open spaces. Our community partners include block captains, neighborhood associations, public schools, community development corporations, local nonprofits, and city agencies. We strive to coordinate mural projects with existing strategies for community development, thereby leveraging grassroots social capital to build positive momentum and stronger results.
What a great idea! I wish we had something like this in NYC.....
Labels: murals, philadelipha
Tuesday, September 8, 2009
Paralyzed Graffitist Able to Tag Using Eye Movement
Here are the details:
The EyeWriter project is on ongoing collaborative research effort to empower people, who are suffering from ALS, with creative technologies. The project began in Los Angeles, Caifornia in 2009, when members of the GRL, FAT, OF and TEG communities teamed-up with a legendary LA graffiti writer, publisher and activist, named Tony Quan, aka TEMPTONE. Tony was diagnosed with ALS in 2003. The disease has left him almost completely physically paralyzed… except for his eyes. But, the ALS hasn’t touched Tony’s sharp mind, creative energy or his desire to write graffiti. In August of 2009, artist from around the world: London, Hong Kong, Madrid, Amsterdam and New York City, converged for 10 days in southern California, converted Mick and Caskey Ebeling’s Venice Beach house into a laboratory and began to work with Tony on a low-cost, open source eye-tracking system that would allow ALS patients to draw using just their eyes.
Tag On, Tony!
Labels: EyeWriter, paralyzed graffiti artist, Tony Quan
Saturday, September 5, 2009
Digital Art
What is true though is that just like photography in the prior century and street art on walls today, digital is a new platform for art. And as such, still needs the creative eye to make it "a work of art". And that transcends platform.
Here is an example of Shane Hope's digital work currently at the Winkleman Gallery in NYC:
Labels: digital art
Friday, August 28, 2009
Street Art and Graffiti in Ireland
Labels: Graffiti, Ireland, Irish, street art
Thursday, August 27, 2009
Great Flickr Graffiti Site
Spinstertoo has a great selection of graffiti photos - mostly from Australia, it seems. Check it out here: Spinsteroo
Labels: australian graffiti, Graffiti, street art
Monday, August 17, 2009
Light Graffiti
Photographer Michael Bosanko swapped spray cans for flashlights to graffiti British landmarks in a new set of images commissioned by TalkTalk to mark the launch of an advertising campaign that uses the same technique
Labels: Art Raw Gallery, Artists, Graffiti, light graffiti, Michael Bosanko, photographer, street art
Monday, August 10, 2009
Kevin Bauman
Photographer Kevin Bauman embarked on an ambitious project. He began photographing Detroit's abandoned and deteriorating houses back in the late 1990s. His intention was to create a record of a Detroit past - a time of splendid homes and great architecture. He wanted to preserve these images before all was torn down. Many of these hosues are still standing, thanks to a recession that stopped redevelopment in that city. All 100AbandonedHouses are on his website KevinBauman.
Labels: 100 Abandoned Houses, Kevin Bauman
Friday, July 31, 2009
You Say Street Art, I Say Graffiti. Let's Discuss.
Here is an article from the San Francisco Chronicle discussing the finer points of street art vs graffiti. As for me, I see little difference - unless you want to get nit picky. In my mind, graffiti is essentially spray paint while street art uses wheatpaste, stensil and stickers. However I think an argument can be made that says that graffiti is anything applied illegally or surreptitously in the environment while street art might be, like a commissioned wall mural, just another pices of art on the street. Read the article and decide.
Labels: Graffiti, street art
Monday, July 20, 2009
Water Art?
Mark Mawson has a new twist on an established idea. Splashing paint around has been a standard artistic approach ever since Jackson Pollock made his name with it in the 1950s. But by dropping the paint into water instead of onto a canvas, Mawson has arrived at a startlingly new look.
The 41-year-old, from London, has been taking pictures for 22 years but only recently came up with the eye-catching way of creating stunning and beautiful abstract forms at random. His work has concentrated on underwater scenes and people, but now he takes different kinds of paint and drops them into a tank before snapping the outcome with his camera and using a strobe to light up the weird and wonderful forms. Different paints have different weights so a combination of paints creates differing effects. They are mysterious and beautiful.
Read more.
Labels: Mark Mawson, water art
Tuesday, July 14, 2009
ArtSlant Reports on Great Paris Graffiti Show
This link to ArtSlant offers a great article on a Paris gallery graffiti show. Paris has been an especially great place to exhibit street art as JonOne's exhibit at the Magda Danysz Gallery will attest.
Whenever I think of the French Revolution I can't help but think of my most favorite play. If you haven't read or seen Marat / Sade, you are missing out on a bit of great revolutionary theater. Here is a link to the book. The DVD appears to have been discontinued.
Labels: graffiti in Paris, JonOne, Magda Danysz Gallery
Monday, July 13, 2009
Street Theater as Street "Art"
This is street art in a performance form - gritty, loud, expert and daring. Bring your own chair and catch them Thursdays - Saturdays starting at 8pm.
Thursday, July 9, 2009
Glam Cams
Jill Magid decorates police cameras and calls them "Glam Cams". It is a great example of street art, akin to yarnbombing.
Here is an Introduction to her work:
I seek intimate relationships with impersonal structures.
The systems I choose to work with- such as police, secret services, CCTV, and forensic identification, function at a distance, with a wide-angle perspective, equalizing everyone and erasing the individual. I seek the potential softness and intimacy of their technologies, the fallacy of their omniscient point of view, the ways in which they hold memory (yet often cease to remember), their engrained position in society (the cause of their invisibility), their authority, their apparent intangibility− and, with all of this, their potential reversibility.
Labels: Glam Cams, Jill Magid
Tuesday, June 30, 2009
Daniel Kahn and the Painted Bird
Labels: Daniel Kahn, Painted Bird
Homebase IV Project on the Lower East Side
The Forward newspaper reported on an unusual art exhibition which asked the question, if you were to send us a photographical part of your body, what would that be?
It is called HomeBase and it is located in a dilapidated old medical clinic on Manhattan’s Lower East Side. HomeBase IV is a free exhibition and part of the 14th Street Y LABA Festival, in which a dozen former exam rooms in the medical clinic are the stage for artistic contemplations of personal and geopolitical identity. HomeBase project was founded in 2006 by artist and curator Anat Litwin.
I see this exhibit as bringing art from the street into the gallery space .. or in the medical examination room as it were.
Labels: Homebase, Lower East Side, The Forward Newspaper
Monday, June 29, 2009
Iz The Wiz, Graffiti Artist, Dead at Age 50
Iz The Wiz was a prolific graffiti artist plying his trade in New York City in the 1970s and ’80s. His work decorated the New York subways with a large “Iz the Wiz” tag. His work could be seen all over the subway system: fat capital letters spray-painted on a door, below a window, across an entire car or even along the full length of a train.
Iz the Wiz was a legend among graffiti artists, by almost all accounts “the longest-reigning all-city king in N.Y.C. history,” as the graffiti Web site at149st.com puts it. In other words, Iz put his name, or tag, on subway cars running on every line in the system more times than any other artist. No small feat!
Michael Martin — Iz the Wiz — died on June 17 in Spring Hill, Fla., where he had moved a few years ago. He was 50. The cause was a heart attack, said Ed Walker, who is working on a biography and documentary of Iz the Wiz.
“Look at any movie shot on location in New York from the late 1970s to the early 1980s, and you will very likely see an Iz tag,” Mr. Walker said. “He told me once that in 1982 he went out every night and did at least a hundred throw-ups” — letters filled in quickly with a thin layer of color. “People can’t fathom it.”
With the graffiti artist Vinny, Mr. Martin mounted an intensive throw-up campaign on the A line. In the late 1970s he branched out to other lines, spray-painting top-to-bottoms (graffiti displays extending from the top of a train to the bottom), burners (complicated works intended to dazzle the competition) and fully realized scenes, like his homage to John Lennon, painted after Lennon was shot to death in 1980. It was a two-car scene with a portrait of Lennon and a graveyard filled with tombstones.
With the photographer Martha Cooper, Mr. Chalfant published Subway Art(1984), recently reissued by Chronicle Books, and made the documentary film Style Wars(1983), which included Mr. Martin in its portraits of graffiti and hip-hop artists. He also appeared in the role of a transit police detective in the cult 1983 film Wild Style.
Mr. Martin was born in Manhattan and lived in a succession of foster homes after his mother was imprisoned for burglary. He did not know his father. He grew up in Ozone Park, Queens, and as a teenager lived in Covenant House on the Lower East Side.
The street art world has lost one of its forefathers.
Read his full obituary here.
Labels: graffiti artist on New York City subway cars, Iz the Wiz
Monday, June 22, 2009
Whole in the Wall 1970-Now
The Village Voice reports this graffiti based travelling art show. Check it out:
J'Aime Graffiti BY ARACELI CRUZ
Helenbeck Gallery curators and twin sisters Chantal and Brigitte Helenbeck have a distinct love for the French Revolution and contemporary art. So much so that they've decked out their galleries, based in New York and Paris, in certified antique Louis XIV furniture, crystal chandeliers, and the most radical graffiti works. This play on eras in Whole in the Wall: 1970–Now examines graffiti through this very comprehensive and traveling retrospective, from the local street-art pioneers of the '70s and '80s (Blade, Crash, Daze, Jonone, Quik, Lee Quinones, Rammellzee, and Sharp) to their contemporary European counterparts (Victor Ash, Banksy, Blek le Rat, Ikon, Sozy One. and sculptor Plateus). The group show also has photography pieces by Martha Cooper, Henry Chalfant, Jamel Shabazz, and Silvio Magaglio.
Labels: Chantal and Brigitte Helenbeck, Graffiti, Helenbeck Gallery, street art
Thursday, June 18, 2009
The Top Ten Best Energing Artists Blogs
It was very tough to choose but my favorites are:
1. Art Brut and Outsider Art
2. The Arteur
3. The Wooster Collective
4. New-Art
5. Post Secret
6. Artists Who Blog
7. William Wray
8. Happy Famous Artists
9. Caroline Marine
10. Other Things
Labels: Blogs.com, top ten art blogs
Friday, June 12, 2009
The Beauty and Grace of Pure Scrawl
Wednesday, June 10, 2009
Various and interesting Graffiti sites
In no particular order:
http://www.kontraband.co.uk/pics/15790/Geeky-Grafiti/
http://www.terracycle.net/graffiti.htm
Labels: Various Graffiti sites
Sunday, June 7, 2009
"Recession" graffiti
The thing I love about graffiti is that it will reflect (or some might say drive) the times.
NPR just had a story about what they termed "Recession Graffiti" - how graffiti has taken on a political hue.
But I say "Recession Graffiti" is just another way of saying "Graffiti". All street art is political and relevant.
Monday, June 1, 2009
Bill Powers - Mosaic Artist
His art is amazing. Here are some examples but a better way to see them is to walk the streets of the East Village:
Labels: Bill Powers
Wednesday, May 13, 2009
Gentrification with or without Exploitation
"Artists have become the occupiers of last resort ... The worse things get, the more creative you have to become," says Robert McNulty in a Wall Street Journal piece by Alexandra Alter (4/17/09). Robert is president of Partners for Livable Communities, and he's commenting on what's happening in Cleveland and Detroit, where painters, sculptors and musicians are emerging as unlikely heroes amid the housing crisis, turning abandoned homes into studios and vacant storefronts into galleries.
The creative class has a long tradition of "gentrifying" shabby neighborhoods, but its latest push is being embraced by some urban planners as "a tool to revive neighborhoods reeling from vacancies and home foreclosures." Cleveland is investing $500,000 "to fund 50 citizen-led pilot projects to reclaim vacant property." Projects include "Pop Up City ... which brings performance artists into empty lots, vacant buildings and unused urban infrastructure." There's also a "$30 million drive" to rebrand a "former factory hub as entertainment and arts district."
Bob Brown, a Cleveland city planner, comments: "The next phase is capitalizing on the presence of artist and art-related businesses and using it as a lever for high-density development." Skeptics note that artists have a habit of displacing poor people and creating neighborhoods in which they themselves cannot afford to live. However, developer Brian Friedman says that won't happen if projects help artists buy the spaces they occupy. "Our chief goal is ownership," he says. "We don't want the neighborhood to gentrify them out."
Here is a great book on New York City on the subject: The New Urban Frontier: Gentrification and the Revanchist City
Labels: Artists, Gentrification, urban revitalization
Monday, May 4, 2009
Adams Puryear
Who says that you can't get a street art feel from ceramics? Of course you can! Adams Puryear, whose fabulous ceramic vessels were on display at New York City's Greenwich House Pottery, has a great "low-brow art" (a term I personally object to but oh well) look to his work that is reminiscent of the vibrant creativity we see in graffiti and street art. See for yourself.
Labels: Adams Puryear
Saturday, May 2, 2009
Michael Toenges
Michael Toenges is a Cologne, Germany based artist whose paintings make great use of color and light. As he explained at his solo exhibition at the Howard Yezerski Gallery in Boston, MA a couple of weeks ago, he paints in twilight type of darkness. And indeed, when the gallery lights were lowered, the paintings glowed.
Michael said that he grew up in Germany where there is "northern light" as opposed to Italy where there is brighter "southern light". Although in Italy the light is diffused in a warm and sort of foggy way.
Michael's show is up until May 19, 2009 so if you are in Boston, stop by the Howard Yezerski Gallery at 460 Harrison Ave in the new Sowa arts district.
Labels: Howard Yezerski Gallery, Michael Toenges, Sowa arts district